Tag Archives: folded leaf bindery

Wedding card book

23 Mar

This book contains a collection of wedding cards bound together as a keepsake. The highly-customised book is packed with special wishes from friends and family and is an original way of keeping these precious memories together.

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My client had saved many memorabilia from their wedding day – from the bridesmaid dress material, wedding ribbon to the wedding invite. Each of these details provided inspiration for me and were incorporated into the design of this unique book.

The red material which I used to line the inside of the white leather was spare material saved from the bridesmaid dresses. The vivid red creates a beautiful contrast against the white leather and other hints of this red are used throughout the binding.

This wedding was a winter wedding and the motif of a snowflake was used on the invitations. I embroidered this motif on the front of the cover tying in the winter theme once again.

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Golden bird artist’s journal

28 Feb

A short while ago, I was asked to create an artist’s journal that had a vintage feel whilst avoiding looking too traditional. After discussing several different ideas, he chose a Japanese binding with heavy velvety paper with a hand-ripped edge.

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At the start, the client was torn between several papers but I think he made a good choice with the beautiful green paper who’s golden birds give the book a slightly whimsical feel. This journal was made to accommodate the addition of extra photos and other memorabilia – a scrapbook of sorts. This was enabled by adding several spacers along the spine of the binding.

I particularly like the inscription ‘Lee Lee Angels’ – it seems to match the quaint quality of this journal. I experimented with several different fonts before choosing one called ‘Free Booter Script’.

Purple themed album

28 Jan

This traditional casebound wedding album was custom-made to match the vibrant purple bridesmaid dresses that were worn at this couple’s wedding. The coverpaper is a Nepalese handmade paper that has a distinctive textured surface.

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In order to make this wedding album extra special, I handstitched matching headbands at the top and bottom of the album’s spine. These headbands will serve to protect the album whilst adding an extra hint of colour. I also added a secret message to the spine – hidden away forever!

The slipcase acts as a protector for the album, keeping the wedding photos protected inside the album, away from light and other possible damage. As always this wedding album is made from archival materials which are completely acid-free.

‘Recognition’ Artist book

4 Dec

I recently made an artist’s book called ‘Recognition’. It deals with themes of self-recognition and how one’s sense of self has changed rapidly since the advent of photography, in particular digital photography.

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This binding is called a drum leaf binding. It is a contemporary binding which allows the book to lie completely flat, allowing images to be read as a whole across two pages. It is ideal for artist’s books and also works well as a portfolio.

It was recently exhibited at the Temple Bar Gallery in Dublin as part of their annual Artist Book Fair. 

Black and white wedding

21 Nov

The colour theme of this wedding was black and white. I found out that the bride’s favourite colour is green so we decided to add green accents to the wedding album set. On each end of the large album’s spine, I hand-stitched headbands using green and black thread. The green thread matched the ribbon perfectly and added another touch of colour to the album.

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The smaller album is a variation of a Japanese stitch. I used a wide green ribbon which gives a luxurious feel to the album.

Get the bunting out

11 Nov

For a recent commission I was asked to make a guest book, using the wedding invitation as inspiration. The invitations were quirky, giving me plenty to work with. The invitations – wrapped with a cream ribbon with a bunting pattern – had a lovely vintage feel, using letterpress-style type with an image of an old bicycle saying ‘We do’.

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I decided to use the patterned ribbon on the cover of the book as it really captures the playful nature of the invitation. I repeated the pattern of the bunting on the inside page, using brown paper cutouts. This introduced an element where the hand of the artist could be seen.

Pigna guestbook

30 Sep

This couple were getting married in an Italian village called Pigna – which translates as pine. As a result, they decided to theme their invites around the symbol of a pine cone. They used an orange-brown colour for the text and the pine cone motif was dotted throughout.

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I originally tried blind embossing the pages with a pine shape but it was a little too subtle and unclear what it actually was. Instead I drew a pine cone on the inner page, mimicking the one found on the invitation. The autumnal colours of the guestbook worked well with this motif.

Marbling magic

7 Aug

This summer I did a paper marbling course in West Dean College in Chichester. This college was set up by poet and artist Edward James as a centre for conservation and crafts such as bookbinding and clock making.  The house (or castle in my mind!) is set in 6,000 acres of beautiful countryside with an orchard and walled garden beside the house.

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Marbling was originally used as an anti-fraud measure: if you had a written contract with somebody, it would have been written on marbled paper. Each party would receive one half of the contract which was torn down the middle. As each marbled paper is completely unique, it would be impossible to forge or make an imitation of the marbled sheet.

I learnt a great deal on the course – from traditional patterns and modern takes on them, to different paper and bookcloth possibilities, to text block edge marbling.  My favourite pattern was the Fern with a modern twist. For the last section of the course, I focused on reproducing this pattern using different coloured papers. It was amazing how just changing one variable resulted in a whole range of contrasting papers.

These papers can be used as coverpapers or as endpages (i.e. the first and last pages of a book) and I hope to develop my marbling skills so that I can offer made-to-order marbled papers for my wedding albums.

I would like to thank the Crafts Council of Ireland for giving me funding to do this training.

Something borrowed, something blue…

29 Jul

Here is a wedding album set I made for a summer wedding. I had been saving this beautiful indigo blue coverpaper for a special album and when I saw this couple’s wedding invite, I knew it would match perfectly!

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The paper has a slightly waxy feel to it as it is created using batik – a process where parts of the paper are blocked out using wax before dying the paper. When the dye has dried, the wax is removed, revealing the original paper colour – as the wax prevents the dye from penetrating the paper.

Boxes for photographic collections

30 Jun

Over the last few months I have been working collaboratively with an artist who wanted a set of boxes to display his photographs in. He was particularly interested in having Tibetan imagery or colours incorporated into the design as he has an ongoing relationship with this country and Buddhism.

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On the spine of each box there is a strand of the Endless Knot – a common motif in Tibet. Each box combined together forms a complete Endless Knot when standing side-by-side. The number 108 is important in Tibetan Buddhism and is reflected in the design – there are 12 boxes which will have 9 photographs in each box. So every part adds up to a bigger whole!

The technical name for this box is a Solander or Clamshell Box. This style has two inner boxes (one fits into the other) and both are encased by a hardback cover. The boxes make a lovely whooshing sound when shutting.